WaSabiDou Antiques & Folk Crafts now offers guided tours of
Japan, custom tailored to your specific interests: i.e. folk crafts,
gardens, cuisine, spiritual or historic sites, etc. Of course, our
specialty area is folk crafts and sites related to the Folk Craft
Movement. In addition, short spiritual pilgrimages may be added on to
your tour at cost. We can't profit from this portion of your tour.
A sample 12-day itinerary might include the following sites and
activities: Tokyo; Japan Folk Craft Museum, Art Museums, Dining in a
"kura" (storehouse,) Dinner in a restaurant filled with original
storyboard paintings by Akira Kurosawa, and more....off to Mashiko,
pottery town with an estimated 400+ kilns for a visit to Shoji Hamada's
Mashiko Reference Museum, plus pottery galleries galore and a chance to
try your hand at throwing your own pot.....Kyoto; temple and garden
tours, excellent Zen Buddhist cuisine, museum home of potter Kawai
Kanjiro, and more...stay a night at a Buddhist monastery and learn
the connection between Buddhism and the folk craft
aesthetics...finish with a visit to Kamakura, home to more than
120 shrines and temples just an hour by regular train from Tokyo.
For those wishing a spritually and physically refreshing experience
prior to returning home, take a 2-day walking pilgrimage of the 33
Kannon Temples in the Kamakura area. You need not be a practicing
Buddhist to benefit from this short journey to deeply spiritual sites,
several hundred years old. But, a respect for the practice of
pilgrimage is necessary (vegetarian diet, giving alms, etc.) Your guide
is happy to discuss the history of the various sites visited, or
to quietly be your walking companion. As stated above, this
addition to your tour is at cost.
Tatsuo Tomeoka has several years experience as a professional
tour guide, mainly for Japanese guests visiting the United States and
Western Canada. Custom tours and translation services have been created
for business visitors, artists, architects, Buddhist clergy,
and travellers just wanting to shop till they drop! He has also
provided several tour experiences in Japan focusing on
mingei-related craft sites and Buddhist temples. He has lived and
worked in various cities and towns in Japan, including Mashiko, Tokyo,
Yokohama, and Kumamoto.
He currently resides in Seattle, Washington with his wife,
Apple; daughter, Shino Claire; and son Yumeji Clay.
He looks forward to showing off some of his favorite spots in
Japan, and possibly discovering new sights, with you.
Remember, our tours are custom-designed and highly flexible (number
of travelers, dates, itineraries.) The best tour will be the
one that we create together!
Thursday, May 19, 2005
WaSabiDou Antiques & Folk Crafts now offers guided tours of
Monday, March 21, 2005
Legends about the origins of kokeshi are difficult to prove, but they are thought to have possibly been a totemic type of stand-in for infants and children in old NE Japan. This area was at one time one of the most impoverished and environmentally harshest regions of the country. Infant mortality was high, possibly more so among females as we can assume that in this agricultural setting, males were valued more and better taken care of.
After a safe delivery, or a healthy upbringing, the doll could be desroyed by burning or tossing in a river. This was a common practice with other types of dolls in Japan known as 'amagatsu' (used by the aristocracy) and houko (used by commoners.) Still today, we can find 'kokeshi ohaka' (kokeshi cemetaries) at a few temples in NE Japan, where older, unused kokeshi dolls can be brought for burning. And, ritual burning at sea of dolls and children's toys is another practice still carried out in many parts of Japan.
What we do know for sure is that kokeshi were actual folk toys for children of Tohoku, which was also well known for itinerant woodcrafters, and the spare time in the long, cold winter months to pursue such craft works as weaving, dying, embroidery, woodworking, and clay/paper/wood doll making. As such, they are usually included in the genre of craft items known as "mingei," or folk craft.
Today, kokeshi are purchased by locals and tourists alike, mainly at the many hotspring resorts dotted around Tokoku that have kept this traditional craft alive, mostly passed down from father to son. Each locale has its own style, pattern, color combinations, etc. But, successive generations of kokeshi artisans have also been able to incorporate their own touches rather than merely copying their forefathers' work. By repeating the pattern of their ancestors through long apprenticeships and countless repetitions on a theme, the designs do eventually become their own. This reliance on what Folk Craft Movement founder, Yanagi Soetsu called the "Other Power" ('tariki' in the Buddhist sense) is what makes these dolls a link to tradition, as well as a contemporary product of aesthetic beauty.
Being the collectible item today that is produced and used mostly for display purposes, kokeshi can no longer be considered a "folk toy." However, the spirit of the artisan is what's important to me here. There is another version of kokeshi today called "creative," "modern," or "art" kokeshi. These are not bound by traditional designs and patterns, but are artistic interpretations by individual artists, creating a name for themselves. Dentou Kokeshi, though often signed by the artisan, are still representative first and foremost of their region and tradition.
Currently, I have available a large collection of vintage and new dentou kokeshi reaching back to the war years up to pieces purchased about 5 years ago. For most, I have been able to identify the maker, and where so have their birth or death date available from references as well. Please feel free to contact me with any questions or comments. Are you a kokeshi collector as well? Let's start a club!
Thanks for reading,
WaSabiDou Antiques & Folk Crafts
(under construction) www.mingei-wasabidou.com
More pots in the showroom. In the foreground are 2 yunomi (tea cups) by
Mashiko potter (by way of Minnesota) and good friend, Lee Love. Here,
you can see his utilization of the Zogan (inlay) technique in homage to
his sensei (teacher,) Shimaoka Tatsuzo. Mr. Shimaoka was designated a
National Living Treasure in Japan for his technique of Jomon Zogan
(rope-impressed inlay,) inspired by the braids his father made as a
braid craftsman, several years after his (Shimaoka-sensei's) own
apprenticeship under another well-known (Ningen Kokuho) National Living
Treasure, Hamada Shoji.
Tuesday, March 15, 2005
WaSabiDou: Antiques & Folk Crafts
All tansu will be
discounted 15%, & all
pottery, prints, & textiles
will be 10% off.
Plus: A vintage
collection of dentou
kokeshi from Northeastern
Japan will be featured.
These playful folk toys, made by
artisans, are wonderful examples of mingei
tradition still alive in rural
(S,Su,M)March 19,20, 21 & (F,S)March 25,26.
11:00am to 5:00pm daily, or by appointment.
127 NW 136th Street,
Seattle, WA 98177
This year has welcomed an early spring to Seattle! The Cherry Blossoms are already in full bloom in most parts. I'll be holding an open house sale over the next few weeks; with discounted prices on tansu, ceramics, and more. As seen on the attachment, there will also be several (about 40) vintage kokeshi for sale, as well as papier mache folk toy roosters for the current Asain zodiac year. These, and the kokeshi, are from my family's region of Tohoku (Northeastern Japan,) and convey the folk sensibilities of rural Japan. Hope you can drop by to visit over a cup of tea, and exchange views on antiques and folk crafts.
Please feel free to forward this notice to anyone you think would also be interested. I'm building a few distribution lists, so if you happen to receive this twice, my apologies in advance. Thanks.
A web page is currently under construction at www.mingei-wasabidou.com and new inventory items will be added daily (between feedings and changings of a new baby due any day now.) in hopes of having 300-400 up in the next month Please stop in regulalry. Thanks for your support.
WaSabiDou Antiques and Folk Crafts
Thursday, February 03, 2005
Khalong wares, made in the 14th - 16th centuries in North-Central Thailand are relatively recent discoveries, but are arguably some of the finest ceramics to come out of SE Asia. This piece, in perfect condition, features an underglaze iron pattern named "black crow" which probably represents astylized floral motif such as crysanthemum.
Detail of Futon-ji (Bed Cover), indigo-dyed cotton, Meji Era (1868-1912.) Pattern is the "Three Friends of Winter" (Pine, Bamboo, & Plum) and most likely commissioned and given as part of a wedding dowry from the bride's family. The elements symbolize the ability to perservere and overcome difficult times, just as the pine remains evergreen, bamboo exercises resiliency, and the plum tree is the first to blossom after the harsh winter.